#1.14 Objects In Space

[Gin]

From imdb.com and fireflywiki.org

#1.14 Objects In Space

Original airdate: 12/13/02
Written by: Joss Whedon
Directed by: Joss Whedon
Episode Cast
Nathan Fillion ... Captain Malcolm 'Mal' Reynolds
Gina Torres ... Zoë Washburne
Alan Tudyk ... Hoban 'Wash' Washburne
Morena Baccarin ... Inara Serra
Adam Baldwin ... Jayne Cobb
Jewel Staite ... Kaylee Frye
Sean Maher ... Dr. Simon Tam
Summer Glau ... River Tam
Ron Glass ... Shepherd Book
Richard Brooks ... Jubal Early

Summary
Deep space. The corner of No and Where. No one else about but Serenity.
In the midst of crew indecision over whether River should remain on the ship after her latest flirtation with violence, bounty hunter Jubal Early secretly boards the ship. He locks the crew in their quarters and stalks River throughout Serenity's nooks and crannies with Simon as his guide and hostage.
Objects in space. Incorporeal beings. Existentialism with bullets.

[Gin]

from wikapedia.org

Synopsis
The show opens with a shot of Serenity flying by a planet, and then zooms into the ship and through its passages to end on River, who lies in bed listening to not-quite-audible voices. She arises and takes a walk through the ship's rooms and corridors, encountering her shipmates in varied conversations with each other. Simon and Kaylee are relaxing in the common room, the doctor telling the mechanic an amusing anecdote about medical school. River suddenly "sees" them looking at her, with Simon telling her that he'd "be there right now", apparently implying she is responsible for taking him away from his successful medical career. Finding Jayne and Shepherd Book in the kitchen, she "hears" Jayne guiltily repeat his confession to Mal about selling out the Tams on Ariel, and Book mutters an angry but cryptic statement hinting at a sadistic past. River continues to wander the ship, and is moved by the sound of ocean waves as Zoe and Wash passionately kiss on the nearby bridge. Above the cargo bay, as Mal and Inara discuss her impending departure, River sees their unspoken frustrations over their unrequited relationship. Fleeing the intense emotions, River runs down to the unoccupied cargo bay, where she spots a tree branch.
River holding the "object"

Picking it up, she sees herself on leaf-strewn ground, and picks up the branch, telling herself "It's just an object. Doesn't mean what you think." Suddenly, the real world returns, and she finds that she is holding one of Jayne's pistols while the crew surrounds her in a panic, trying to get her to drop the weapon. Mal takes the gun from her and discovers it is loaded and ready to fire. When Mal admonishes her for handling loaded weapons, River runs off, shouting incoherently.

The image cuts to a small vessel closing with Serenity, aboard which is a man reviewing wanted bulletins for Simon and River. Meanwhile, the crew discuss the dangers of River's presence on the ship. When Zoe muses whether River has ever handled a gun, Kaylee reluctantly tells everyone about her experience during their assault on Adelei Niska's SkyPlex, when she was unable to return fire, and how River easily killed her attackers with single shots. The crew begin to speculate that River may be a "reader", having psychic powers, and though Simon objects, they begin to question whether she is a danger to them. While talking, the crew are being listened to: above the room, on the hull of Serenity, the mysterious bounty hunter is tapping into the hull, and below the room, in the cargo bay, River is listening through the floor plating.

Mal decides to sleep on the matter, and the crew breaks for the "night". Kaylee follows Simon out as he goes to "check on my assassin", and she apologizes for having to point out the danger River presents. Simon, however, is more sad than angry, believing his sister feels that Serenity is "more home to her than any place she's been". He openly admits his regret at not practicing medicine (using the exact words that River "heard" earlier) and tries not to blame it on River herself, but on her unknown experimenters.

Once the crew goes to sleep, the bounty hunter boards Serenity. He runs across Mal and quickly knocks him unconscious, dropping him into his cabin, and then locks the rest of the sleeping crew in their cabins. He surprises Kaylee in the engine room, and uses psychological terror - specifically threatening to rape Kaylee - to force the frightened girl to surrender. Next, the intruder drops in on Book, disabling him instantly with a brutal kick to the head. Simon hears a noise and arises to check on his sister, only to be attacked by the stranger, who addresses him by name. The two men engage in verbal sparring; the bounty hunter, Jubal Early, waxes imaginative on the nature of things while he demands to know where River is. Though Simon refuses to help Early at first, the bounty hunter threatens to kill him and rape Kaylee if he refuses, and the doctor reluctantly agrees.

With Simon "helping" in the search, Early checks out the cargo bay and shuttles, commenting on the nature of "objects in space" while doing so. When Inara tries to appeal to Early's emotional side, he smacks her across the face, and then locks her in her shuttle. The two men finally arrive on the bridge, where Early settles on a direct threat, announcing loudly to the ship that he will kill Simon if River doesn't reveal herself. River then responds over the ship's intercom, telling Early about how she was unwanted on the ship but could not bring herself to leave, so she simply "melted away," becoming part of Serenity.

In the engine room, River's voice comes over the intercom, reassuring the bound Kaylee and asking for her help in a task. Meanwhile on the bridge, Early is openly skeptical about River's claim, but her voice returns to reveal uncanny knowledge of the bounty hunter's own weaknesses. River's verbal probing, aided by Simon's wry humor, gradually convince Early and the others that she has joined with the vessel. She sends Kaylee, now free, off on a mission to unlock the cabins. Zoe prepares an assault, but River insists that they do not use guns, and instead tells Mal of an alternate plan.

On the bridge, River continues her banter with Jubal, relentlessly hinting at his own insanity. Finally, Early realizes that River is not part of Serenity, but has managed to sneak onto his ship. However, River reassures the frantic bounty hunter that she will go with him. She compares her own dangerousness and instability with his, and she weighs the hearts of her shipmates with her words about not belonging with them, and that her departure will allow them to get on with their lives. Simon refuses to let Early escape with River, and tries to stop him, but in the process is shot in the leg. Hearing the noise, Jayne wakes up and pulls the curtain off from his gun cabinet in a resolute and heroic way, revealing numerous weapons, before covering himself with the curtain and going back to sleep. Leaving Simon in the cockpit, the bounty hunter starts his EVA back to his ship, but finds Mal outside, waiting in ambush, and the captain shoves Early off into space, before welcoming River back aboard Serenity.

Later, in the infirmary, Simon directs Zoe as she patches him up. Just outside, Mal and Inara start and fail again to deal with their implicit affection. In the cargo bay, Jayne mocks Book's failure to defeat Early, despite "all them years of priest trainin'", when Book expresses regret at not being able to do anything to help. Kaylee and River play jacks while Kaylee relates a sexual anecdote from her past. River picks up and examines the bouncing ball, with its swirling, multicolored surface, which recalls the multicolored planet Serenity flies by in the opening shot. The camera pans down through and out of the ship to show Serenity sailing off into space.

The show ends on Jubal Early, tumbling through space: "Well... Here I am."

[Gin]

from imdb.com and wikipedia.org

Trivia
* The bounty hunter, Jubal Early, was named after a confederate general who attempted (and failed) to invade Washington D.C. in 1864. Jubal Early is also the name of a ferry between the Maryland and Virginia sides of the Potomac River.
* The boots that Jubal Early wears are made by New Rock, a Spanish brand that specializes in metal-plated leather goth boots.

Goofs
* Continuity: When Jubal Early "lands" on the roof of Serenity, he has gloves on both hands. But when he is looking in on the crew, you can see that his hand, seen through the glass, is not gloved. When he enters Serenity, his gloves are on again.
* Crew or equipment visible: (At 11:22) While Kaylee is revealing River's extraordinary killing skills in the common area, you can see a crew member on the left side of the screen, bent over the counter reading a binder.

Deleted Scene
* An alternate version of Mal and Inara's conversation about Inara's impending departure. In this version, Inara complains about not being able to find decent clientele and threatens to leave the ship. Mal says "no one's forcing you to stay". The "true version" of the scene has entirely different dialogue and makes reference to the fact that Inara had already made the decision to leave in "Heart of Gold". This alternate version was aired as part of the episode in the original broadcast because "Heart of Gold" had not been aired yet, so the reference would not have made sense to viewers.

Themes
* In the DVD commentary Joss Whedon explains that this episode is intended to resolve the crew's tension regarding River, ending with their acceptance of her as a valuable member of the crew. Whedon struggled with various ideas of how to approach the script until Tim Minear gave him the idea of using a bounty hunter.

Existentialism
* As Whedon discloses in the DVD commentary, much of the dialogue and imagery was inspired by Jean-Paul Sartre. In his essay We're All Just Floating in Space, Lyle Zynda analyzes this episode's interpretation of existential meaninglessness, arguing that both River and Early perceive physical objects as divorced from the meanings with which others imbue them. For example, when River picks up the gun, she sees it as a harmless branch - an object, as she says, that "doesn't mean what you think" - transformed by her perspective into a benign thing of beauty. Early also describes his gun as "pretty" with a pleasing weight (both features separate from its function) yet acknowledges that its design aids its intended use, which Whedon describes as "grotesque." While moving through the ship, both River and Early seem to be acutely aware of and derive sensual pleasure from their environment, stroking the walls, conscious of the physicality of their surroundings. Whedon notes in the DVD commentary that one of the ways he illustrated this quality was to keep camera focused on River's bare feet as she walked. Early, admiring specifics of the ship's design, significantly echoes the episode's title when he says, "People don't appreciate the substance of things. Objects in space." It is the "physical implication" of a world without morals, the moral implication of which was verbalized by another of Whedon's creations, Angel: "If nothing we do means anything, then the only thing that means anything is what we do."
* Zynda claims that ultimately, River and Early's ability to experience objects divorced from their common meanings allows them to imbue those objects with a value of their choosing. However, River chooses a perspective that brings joyful wonder, and Early chooses to contemplate those same objects - such as the gun - with despair.[3]
* Early also enacts one of Sartre's central ideas, the concept of "bad faith", when he denies his responsibility for his actions by claiming he is not free to do otherwise.[4] When River accuses him of hurting people, he counters, "Only when the job requires it." She calls him a liar: "It's why you took the job."

Foreshadowing
* In the opening scenes, River "hears" words from her shipmates that they are not actually saying, as if reading their minds. In addition to some painful thoughts about her impact on their lives, she picks up a mysterious thought from Shepherd Book: "I don't give half a hump if you're innocent or not! So where does that put you?" It is unclear who he is thinking about — River, Jayne (to whom he is actually talking), himself, or someone else — but it clearly communicates a very un-Shepherd-like menace.
* As Whedon points out on the episode's DVD commentary, Early, having secretly assessed the crew from their conversations, takes down Shepherd Book the same way he handles ex-soldier Mal — quickly and brutally — providing another hint of the preacher's hidden nature. Early confirms this later when Simon challenges him about "beating up a Shepherd", to which Early replies with an amused snort, "That ain't a Shepherd".
* In the opening sequence River is first seen lying in bed while unintelligible words are spoken by various voices. Then Early's voice is clearly heard stating "We're all just floating". The phrase not only foresees Jubal Early's philosophical rants while on board, but his fate at the end of the episode.

[Gin]

from fireflywiki.org

Quotes
SIMON: This is a morality tale about the evils of sake.

JAYNE: You made that sound kinda ominous.

BOOK: I just direct my energies elsewhere.
JAYNE: What, you mean like masturbating?

RIVER: It's just an object. It doesn't mean what you think.

MAL: This here's a recipe for unpleasantness.

MAL: We're deep in space, corner of No and Where.

WASH: Little River just gets more colorful by the moment. What'll she do next?
ZOE: Either blow us all up or rub soup in her hair. It's a toss-up.
WASH: I hope she does the soup thing. It's always a hoot, and we don't all die from it.

JAYNE: Anybody remember her comin' at me with a butcher's knife?
WASH: Wacky fun.
JAYNE: You wanna go, little man?
WASH: Only if it's someplace with candlelight.

JAYNE: She killed 'em with mathematics. What else could it have been?

SIMON: I'm sure she didn't know what she was doing...she probably thought she was playing a game.
JAYNE: Later on you can explain to me how that's a comfort. Might have to use some of that "math" we've been hearin' about.

JAYNE: Are you saying she's a witch?
WASH: Yes, Jayne. She's a witch. She has had congress with the beast.
JAYNE: She's in Congress?
WASH: How did your brain even learn human speech? I'm just so curious.

WASH: Psychic, though? That sounds like something out of science fiction.
ZOE: We live in a space ship, dear.
WASH: So?

JAYNE: Yeah, and if wishes were horses, we'd all be eatin' steak.

SIMON: I have to go check on my assassin.

SIMON: ... I thought the hospital was home. I was really making a difference there... and embarrassingly large stacks of money.

EARLY: You throw a monkey wrench into my dealings in any way, your body is forfeit. Ain't nothing but a body to me. And I can find all unseemly manner of use for it.

EARLY: I don't think of myself as a lion. You might as well, though. I have a mighty roar.

SIMON: You're out of your mind.
EARLY: That's between me and my mind.

EARLY: You oughta be shot. Or stabbed. Lose a leg. To be a surgeon, you know? Know what kind of pain you're dealing with. They make psychiatrists get psychoanalyzed before they can get certified, but they don't make a surgeon get cut on. That seem right to you?

EARLY: People don't appreciate the substance of things. Objects in space. People miss out on what's solid.

RIVER: I'm not on the ship. I'm in the ship. I am the ship.

EARLY: Where'd she go?
SIMON: I can't keep track of her when she's not incorporeally possessing a space ship.

EARLY: That's somewhat unsettling.

EARLY: You folks are all insane.
SIMON: Well, my sister's a ship. We had a complicated childhood.

RIVER: I know you have questions.
MAL: That would be why I just asked them.

EARLY: You know, with the exception of one deadly and unpredictable midget, this girl is the smallest cargo I've ever had to transport, yet by far the most troublesome.

WASH: What about his face? Is his face wearing armor?

WASH: Can I mop your brow? I am at the ready with the fearsome brow-mop.

SIMON: Okaaay. I'm just gonna pass out for a minute, but you're doing great.

MAL: Air he had left I'd say his chance would have to be one in... a very large number.


Chinese Phrases
* FAY-FAY duh PEE-yen
"a baboon's {sic} ass-crack" (Jayne, about Kaylee's recounting of River's shooting.)

* BEE-jway, neen hen BOO-TEE-TYEH duh NAN-shung!
"Shut up, you inconsiderate schoolboys!" (Inara, about Wash teasing Jayne during River discussion.)

* shiong-mung duh kwong-run
"violent lunatic" (Inara, referring to Early.)